[Another offering from Matthew Taylor-Rosnik, first published c.2007]
(N.B The transcript of this interview has been partially edited from the full-length version that appeared in the latest edition of the printed journal)
M T-R – The subject of this interview is the Scottish composer Thornton Farland. His first major works appeared fifteen years ago, since when he has continued to hold the attention of the critics with his inimitable style of composition. His most recent work, the ambitious British Symphony, is due to premiere next month and is likely to attract more interest than ever in this somewhat mercurial figure. I take the opportunity to establish how it was that he developed his unique style and how he sees the British Symphony in relation to the rest of his oeuvre. Thornton, hello.
T F – Hello Matthew.
M T-R – A fair introduction?
T F – I can’t complain. Though I’m not so sure about ‘mercurial’.
M T-R – No?
T F – You see, when I look back over my own short career, I’m actually somewhat ashamed by the predictability of it all. And personality-wise, I’m no livewire. In my rare public appearances, I’ve never once given in to my desire to do something outrageous.
M T-R – Well, I guess we could cut mercurial. What would you prefer? This ‘conventional’ figure? This ‘mildly enterprising’ figure? Read the rest of this entry »